ugh, im a stressed out mofo.
I’ve been up since 2pm yesterday, and now I have to at least stay up till 10pm or i will be the grumpiest traveler in the joint tomorrow.
/now to handle more bullshit.
ugh, im a stressed out mofo.
I’ve been up since 2pm yesterday, and now I have to at least stay up till 10pm or i will be the grumpiest traveler in the joint tomorrow.
/now to handle more bullshit.
i saw “The Brothers Grim” yesterday, and I want my 2 hours back. The only thing I enjoyed about the movie were its F/X. The story was crap. They should have just released the scenes where they spent money on the CG work.
ok, so im watching “Guess Who” it’s rated pg-13, they say shit, and not fuck. in the gag real, they bleep out fuck, but they say nigger just fine… hmm pg-13
Netflix Bite Me!
Should be here Friday. From the cover it’s definitely a c-rate movie.
every time i got into the garage here, its like the movie “joe’s apt” with all the damn bugs.
haven’t seen it yet?
go rent it!
My company is going to patent the chemical makeup of water, and make billions!
tommy lee jones
and
vin diesel
in cutesy ‘protection’ movies…
is it just me or did some hollywood exec. decide to emasculate them?
from downhill battle:
Eyes on the Prize is the most important documentary ever made about the Civil Rights Movement–but copyright restrictions have kept it from the public for the past 10 years. We can’t let that continue. On February 8th help us bring this film back to a nationwide audience. Get the film today and organize a screening in your city or town.
…
Copyright law has expanded out of control, and its public mission is no longer being served. Copyright was originally designed to encourage creativity and innovation–much like patent law. But for the past 50 years multi-national corporations like Disney and the major record labels have aggressively lobbied Congress to expand and expand and expand the reach of copyright law. Instead of lasting 20 years and requiring registration (like patents do) copyright has become automatic and now corporate copyrights last 90 years.
It’s been 17 years since “Spaceballs” took aim at “Star Wars,” but the Schwartz is still strong with writer/director Mel Brooks. Strong enough, in fact, that Brooks is penning a “Spaceballs” sequel.
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